MEET: architect and illustrator Helene Lacombe
Hélène Lacombe studies and exercices architecture in Paris and spent a year as an exchange student in Helsinki. She creates sophisticated, finely drawn architectural illustrations.
When and how exactly did you know that architecture and illustration was your thing?
My dad is an architect, and when he spoke to me about architecture, there were sparkles in his eyes. He also draws a lot, and me too, I started sketching when I was a little girl.
I truly want to become an architect, but at the same time it is vital for me to continue making illustrations. Now I am finishing my Master’s final project, I work as an architect and as an illustrator, and since October I also draw on shop windows.
Are Hélène the Illustrator and Hélène the Architect the same person? Do these activities demand same personal qualities?
Both require a lot of patience and perseverance. One illustration takes an average of 6 to 15 hours, so you need to stay as concentrated as possible. I can only say that the illustration is less stressful. When I draw, I feel self-confident, whereas in architecture school teachers constantly try to destabilise you and to make out question your own work. But I think they do it on purpose: the architect is an emotionally exhausting profession, so they try to prepare for hard reality.
Most of your illustrations are drawings of architectural monuments. Why is that?
Because even if I lived in Paris, I got a feeling I didn’t have the opportunity to see it that often. But when I was drawing a Parisian building, I got to know every column and statue by heart. When you draw architecture, you understand it more profoundly. I like drawing ancient churches and cathedrals with many exquisite details. However, making illustrations with modern buildings is also great! For example, I recently drew the Marseille apartment unit of Le Corbusier and the Pompidou Center.
Can you name some illustrators that inspire you?
Thibo Rassa (@thibautrassat), an architect and illustrator, his works are very lively; Mark Puglia (@markpoulierart), an Australian illustrator who daily uploads drawings of train window views. There is a French version of it, it is called @ attention_à_la_marche6; this guy sketches people in the subway, and for each sketch, he puts a background of the colour of the metro line he drew it on! I love both the idea and the style.
So Instagram is you work platform only?
Yes, and it is a source of inspiration as well. Without Instagram, I probably would not become an illustrator and I would not meet so many interesting people from all over the world. But Instagram has this kind of false, fraudulent side that I don’t like. Before children used to dream of becoming scientists and movie stars, and now they only want to be influencers on Instagram. I try to protect myself from the toxic influence of social networks and the false values they impose.
Do you have the lack of inspiration sometimes? How do you tackle that?
Yeah, sometimes I don’t feel like drawing, or I draw less. Then I try to take my mind off the work and do something else; it helps to relax and to find fresh ideas. We shouldn’t push ourselves all the time: otherwise, you can simply burn out. This happened to me in Helsinki: I drew illustrations for clients non-stop one by one, and at some point, I didn’t enjoy the very process. We must give ourselves time.
Your three places to visit absolutely?
First of all, it’s Svalbard, this is my ultimate dream! Such a lost Arctic treasure on the edge of the world. Secondly, Iceland, I guess. And finally, I only was in St. Petersburg among Russian cities, three times though, and am genuinely looking forward to seeing Moscow and other Russia’s regions. What can I say: I adore the North!
What do you like and dislike the most in Paris as an architect?
Many people and even my friends from the architecture school constantly criticise new Parisian architecture. They believe that Paris is the Baron Haussmann’s ancient buildings. Friends sometimes point me out the modern architecture saying: «Don’t you build such a thing, Hélène!» - but I will! Architects can’t keep designing old stone mansions anymore; architecture must evolve.
Parisians are not very open to new approaches, new technologies in construction.
For example, Renzo Piano is actually designing a project of the Palais de Justice - such an incredible project! But many of my friends think it is too defiant and not representing the spirit of Paris. And I just hate to hear such arguments!
At the same time, I adore the ancient architecture in Paris. Every day I walk on the Pont des Arts and take a picture of the Seine, and I am still charmed even if it has been six years I am nearby. No matter how long you live here, Paris will always be inspiring.
Do you think creativity is something innate or something that can be developed?
I believe that there are some initial skills you have when you are a child that help to understand which direction to follow, like the sense of proportion, the sense of perspective. But talent ... There are certainly little boys and girls who play symphonies on the piano since they are tree or something, and they are undoubtedly gifted. Anyway, even if the talent exists, it means nothing without effort and striving to achieve the perfection. Drawing is like sport, seriously!
-Monmartre or le Marais?
-The Left bank or the Right bank?
The Right bank!
-Croissant or Pain au chocolat?
- Disneyland or Versailles?
None of the two! Can I choose that?
- Subway or bicycle?
-Quish or Swedish meatballs?
-Normandy or Brittany?
- Red wine or White wine?
- Ski station or the beach?
All images © Alina Sepp / Written by Katya Ulitina